Publications and Research
Throughout the last decade, Henrjeta Mece’s creative practice has drawn on a variety of artistic practices including, drawing, painting, and at times expand into participatory practices and performance, questioning the discourses of history and geography as languages in crisis, and their play on production of identity and belonging. Without using direct biographical material her creative works explore issues related to the body, time, place, and sense of belonging through interrogations of mobility, travel, borders, and diasporas.
Mece’s scholarly research focuses on the relationship between globalization, contemporary art, arts higher education, transformative arts education, narratives of migration, artistic research, decolonization, and decolonizing studio arts pedagogies. These fields of inquiry are engaged through her creative, theoretical, and practical work moving into deep philosophical questions, regarding their applications and implications for arts higher education and contemporary art.
A constellation of concerns is being addressed in Mece’s doctoral dissertation and research role for the SSHRC-funded Ontario Equity Policy Project with a forthcoming book on the policy analysis, enactments, and recommendations. She is also co-editing two books for Sense Publishers B.V titled Narratives of Migration (a collection of short fiction stories and art) and Estranged Nomads (a collection of scholarly essays) focusing on colonial relations, migration, diaspora, nomadism, and their implications for arts higher education, decolonization, and contemporary art.
Mece, Henrjeta, Gaztambide-Fernández, Ruben, and Vásquez Jiménez, Andrea. “Decolonizing Curriculum.” in Another Roadmap, A Multivocal Glossary of Art Education. 2018, October 30. Online publication.
Mece, Henrjeta. 2012. “A Point’s Vestiges.” in Toronto/Berlin 1982-2012 exhibition catalogue. Zweigstelle Berlin Gallery: Berlin.